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Who is the singer of Bizet: Carmen, WD 31 - Prelude to Act 1?īizet: Carmen, WD 31 - Prelude to Act 1 is sung by Staatskapelle Dresden and Silvio Varviso.īizet: Carmen, WD 31 - Prelude to Act 1 is sung by Staatskapelle Dresden and Silvio Varviso. Who is the music director of Bizet: Carmen, WD 31 - Prelude to Act 1?īizet: Carmen, WD 31 - Prelude to Act 1 is composed by Georges Bizet.īizet: Carmen, WD 31 - Prelude to Act 1 is composed by Georges Bizet. Which album is the song Bizet: Carmen, WD 31 - Prelude to Act 1 from?īizet: Carmen, WD 31 - Prelude to Act 1 is a english song from the album Overtures & Intermezzi.īizet: Carmen, WD 31 - Prelude to Act 1 is a english song from the album Overtures & Intermezzi. FAQs for Bizet: Carmen, WD 31 - Prelude to Act 1 When was Bizet: Carmen, WD 31 - Prelude to Act 1 released?īizet: Carmen, WD 31 - Prelude to Act 1 is a english song released in 2017.īizet: Carmen, WD 31 - Prelude to Act 1 is a english song released in 2017. UCSB's Ensemble for Contemporary Music programmed Quilt I on a concert in late May 2012.℗ 1985 Universal International Music B.V. A Game was played by the UCSB symphony during their winter term concert in 2009. The majority of these works were presented during my Ph.D.

Part II of my dissertation is a portfolio of compositions. Thus, when Bizet uses off-stage music in the final scene, he is able to create eerie, disturbing on-stage silences that frame the tragic ending.

I conclude that Bizet's continuous use of off-stage music heightens the dramatic tension of each act and ultimately propels the drama toward the final scene. I also include analyses of other musical and dramatic passages that are either related to the off-stage passages, or to themes of space and distance. In this dissertation, I explore the dramatic function of each off-stage musical instance in the opera.

Why does everyone love George Bizet's Carmen? What does Bizet do, both musically and dramatically, to make this timeless work of art so effective? In Part I of this dissertation, I focus an aspect of these questions, namely, what makes the final scene, Don José and Carmen's last duet, so powerful? How does Bizet create an atmosphere of utter despair? I believe the answer lies in part with Bizet's use of off-stage music.